1967
Andy Warhol Marilyn Poster Print
I made Marilyn after she died because a face repeated in bright color stops being sad and starts being wallpaper. It looks best on a wall where you...
Take it home →Room 7
The Factory floor. Where the same thing got made twice.
1967
I made Marilyn after she died because a face repeated in bright color stops being sad and starts being wallpaper. It looks best on a wall where you...
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2006
They put my whole life in one enormous book so you can have the Factory on your coffee table. I like that it is big and flat and...
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1970s
The cassette is small so you forget it is running, which is how you get the good parts. I taped the phone calls and the lunches and the...
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1980s
A paint marker is just acrylic that you do not have to think about, and I like not thinking. The color comes out flat and even and you...
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1960s
I like buying canvas in bulk because I never make just one of anything. A stack of blank white ones is already a series, you just have not...
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1965
I got a tape recorder in 1965 and my wife and I have been happy ever since, it goes everywhere with me. A reel spinning is better than...
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1960s
A half frame gives you twice as many pictures and I never met a picture I did not want to take. I like a camera that just points...
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1962
I started silkscreening in 1962 because I wanted an assembly line, not a hand. You pull the squeegee and the same face comes out again and again and...
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1950s
I filled books like this with shoes and cats named Sam before anyone paid me for it. The paper is cheap enough that you are not afraid to...
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1950s
Before the silkscreen I was a commercial artist and I drew shoes with a blotted line, so I know brushes. You want a few good ones and you...
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1960s
I use acrylic because it dries fast and I am impatient. The color sits flat like a soup label and does not pretend to be anything deeper. I...
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1960s
Under the silkscreen you still need real paint, thick and bright, blocked in like a billboard. This is the heavy stuff that holds its color and does not...
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